Lacuna & Veil


loot-tool & on-no
Borosilicate, stainless steel, aluminum
71cm x 74cm x 2cm 

Installation view

Photograph by Yen-Chao Lin

Lacuna & Veil explores the functions and metaphors of domestic textiles such as draperies, beaded curtains, wall tapestries, quilts, doilies, rugs, etc. It is an on-going project as of September 2025.

My interest in the banality of everyday life leads to close observation of domestic architecture, and how the structure of the home acts as an analogy for intimate relationships, internal dialogue, and the separation between the self and others.

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In Latin, lacuna means “pit, gap, lake, absence”.

In architecture, veil can metaphorically refer to elements that partially obscure, creating a sense of enigma and layering.

In alchemy, veil hides the mysteries reserved for the initiated, keeping esoteric knowledge obscured, acting as the portal between seen and unseen.

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tool-loot and on-no are semordnilaps (palindromes backwards), where a word becomes a different word when read backwards. This linguistic play is rooted in my interest in etymology and language, while also hinting at the gaps that exist between words and interpretation—gaps often hidden in plain sight yet capable of creating misunderstandings and alternative perceptions.

The design is inspired by beaded doorway curtains, which serve as decorative elements that introduce layers and partial visibility. They act as markers of division and separation, but also create a deliberate, intimate inner space.


 

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Initiation is made from enameled copper plumbing pipes salvaged from my own home renovations. The pipes were cut, cleaned, and enameled with soft dégradé colors from white to céladon to dusty rose. The vert-de-gris of céladon is a natural effect of copper oxide when enamel is overfired.

This piece reflects on domesticity and the unseen structures that shape our living spaces. Plumbing pipes, usually hidden within walls, are brought to the forefront as a curtain — a symbol of intimacy and concealment. Like the home itself, these mechanical systems require constant maintenance and eventual renewal, a process tied to labor and care.

The home is a metaphor for emotional states and relationships — fragile yet resilient, requiring attention and effort to sustain.

Initiation
Copper, vitreous enamel, wood, steel
120cm x 76cm x 2cm 

Photograph by Yen-Chao Lin

 

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A latch-hooked rug features a maze pattern that, once solved, reveals a hidden word: homesick.

Latch hooking is a common pastime popularized during the 1970’s, where kits with different designs were readily available for cushions and rugs. It was considered a low brow hobby, primarily catered towards housewives, retirees and children. Today latch hooking is largely forgotten, despite the renewed interest in its distant cousin tufting and traditional rug hooking.



homesick
Nylon, polyester
120cm x 40cm x 4cm 

Installation view at articule (Montreal)

Photograph by Paul Litherland